AMMAN — Sara Allan’s visual art is instantly
recognizable if you know what to look for, a particular blending of color and
caricature into a signature aesthetic.
اضافة اعلان
She hasn’t honed in on such a distinct aesthetic for
her DJ sets yet, but while we chatted in her Sweifieh studio I got a sense of
her approach; she played a soothing medley of atmospheric beats, subtly
switching to some downtempo rap music after I mentioned that I was a rap fan. It
was unobtrusive while still setting and maintaining a vibe, a smooth and subtle
reading of the audience.
Sweifieh Village Mural (Photo: Handout from Sara Allan)
She has been weaving sounds together into a perfect
background tapestry for friends hanging out at her studio for years, long
before she got offered a morning radio slot by Radio Alhara on the second
Sunday of every month and then started performing live DJ sets in Amman.
Asked about the first time she remembers creating a
piece of art and feeling proud of it, she smiled to herself as she recalled
doing some rudimentary graffiti tags in her neighborhood starting in eighth
grade, explaining, “I did not even know at the time that what I was doing was
vandalism — I wanted to make my neighborhood more beautiful.” She has come a
long way since them, first getting commissioned to paint a mural in Amman in
2015, and since then working on commissioned mural installations in cities
across Jordan, from the Ayla resort in Aqaba all the way to village schools in
Mafraq.
Jabal Amman Mural (Photo: Handout from Sara Allan)
After her early street art, Sara started producing
single -issue magazines in a collage style for her family, including drawings,
comics, and recipes. Her family was always encouraging — she comes from a long
lineage of artists. Her Chinese grandparents are both professional artists, and
her mother and two sisters also paint and work in the creative arts. Sara is a
decade younger than her sisters, one of whom is a graphic designer and the
other an interior designer, and she cites all of her older family members as
early influences on her art. She used to visit her grandparents in China for
months at a time, where her grandfather is a university art professor. She also
remembers him bringing paints and art supplies every time they came to visit
her family in Amman.
She draws her inspiration from everywhere, brushing
off the notion that any one artist or artistic influence in her life could
every outweigh another. “I
am influenced by lot of normal social interactions with people who are not
artists.
They unlock new emotions and you start feeling them, then you can’t verbalize
them so you start to paint them. It’s a reflection process, it’s not
quick. ... You have to live with the concept that you took from that place,
then you understand, then you analyze them, then you feel them, then you translate
them into something visual,” she explained.
Ashtray (Photo: Handout from Sara Allan)
Maybe that is her gift: to take the seemingly mundane
scenes and interactions of daily life, internalize and reflect upon them
deeply, and then produce something totally new and unique. Whether it is her
heritage in both Jordan and China, her interest in both 19th century
impressionism and modern street graffiti, or her love for both visual and
musical arts, there is always a sense of collaboration in her work, a
comfortable and natural melding of influence.
This notion of egalitarian influence was evident on
the walls of her studio; she sat under a tapestry portraying Matisse’s La
Musique during our interview, but her favorite piece was on the opposite wall,
a clear aesthetic reference to the animation style of Cartoon Network’s
animated classic Fairly OddParents, painted by a Jordanian teenager named Suha
whom Sara had discovered only a week prior. In between them were a Monet print,
several pieces by local artists including an impressionist self-portrait by
Naji Al-Ali in collaboration with Ahmad Turki, a black and white drawing by
Mike Sardine, and several of her own collaborative and solo pieces in various
stages of completion.
In addition to her occasional commissions to paint
street murals, Sara supports herself by freelancing as an animator. She has no
desire to work as an employee for a company, but would like to start her own
animation house someday. She already has a signature set of characters
featuring rosy red patches on their cheeks, and has a backstory for how they
behave and why the look the way they do.
(Photo: Handout from Sara Allan)
She also sells uniquely shaped ceramic ashtrays which
she makes and paints with her own custom designs, and recently started
performing live DJ sets. She has a Pioneer DDJ-400 controller, and performs at
hip venues like the Spilled Milk in Jabal Amman, starting with a huge list of
obscure music culled from her near-constant listening practice and then reading
the crowd to zero in on set lists and transitions in the moment. While she says
she doesn’t have an instantly recognizable sound yet, she noted that a lot of
her sets tend to include some Asian music and feature some Asian sounds which
may not be as common among other DJs in the city. She also prides herself on
continuously exploring and discovering new music, culling huge lists of obscure
grooves and then reading the room as she goes to zero in on the correct vibe
and narrow down her set on the fly.
The best way to see Sara’s art and to keep track of
when and where she’ll be performing next is to follow her on Instagram
@saraa.allan. There, in addition to some very artsy selfies, you’ll find links
to her ashtray store, her portfolio, and an archive of past DJ sets. You should
also keep an eye out for any public art installations featuring the words “Wild
Card,” her artist pseudonym, as you walk around Amman.
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