AMMAN
— “When a person’s home is destroyed, what’s there left to do?” The question
that inspired chef-turned-artist Omar Sartawi to create his latest work — The
Gaza Chair.
اضافة اعلان
The
sculpture reflects decades of Gazan displacement — a life under siege. The
artist explained that the piece is a physical manifestation of the emotions one
feels when they lose their home and are left only with debris.
Every
element used in the sculpture was intended to convey this idea. It creates a
scene of despair using blocks of material scattered around the chair.
A
collaboration between Sartawi and architect, Amer Abidi, the piece will be on display
at
Dar Art Fair in Amman between June 15 and July 5.
“We
built a chair out of destruction,” said Sartawi, adding: “The idea was to use
the elements of destruction in building the chair, because when a rocket hits a
building, all you have left is concrete and rebar.”
“We wanted to turn the language of
demolition into one of rebuilding and hope, especially because in Gaza, there
are restrictions on the import of building material, where the people don't even
have cement or iron to build with,” Sartawi explained.
Adding
another layer to Sartawi and Abidi’s work, fellow artist, artist Mai Qadoura,
hung sculpted pairs of hands around the chair, each one creating the shadow of a
dove on the wall.
But
the most unusual aspect of the project was the components that came together to
make the chair — eggplant and watermelon skin.
Watermelon
has long been used as a symbol of pro-Palestinian activism. In 1967, after the
Arab-Israeli War, the Israeli forces prohibited Palestinians from hoisting, waving or
donning the Palestinian flag.
In
resistance, Palestinian activists held up slices of watermelon as a
representation of the flag’s red green and black flags.
The
structure has been carefully crafted to express its message from every angle.
Even its shadows are communicative. “If
you look at the chair from a specific angle, you will see the map of Palestine
reflected on the wall,” Sartawi said.
The
piece now resides at Dar Art Fair, a project coordinated by Rania Omeish and
Dina Dabbas Rifai in Swefieh Village. The show brings together over 160 artists
from Jordan and the Arab region. Entry into the exhibition is free.
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