SAN CASCIANO DEI BAGNI, Italy — An exhibition that
opened Friday at Rome’s Quirinal Palace could be described as a classic
rags-to-riches story.
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Just 10 months ago, many of the bronze statues now on show
there — artfully spotlighted and captioned — were submerged in layers of thick
mud in what had been a sacred pool of thermo-mineral water roughly halfway
between Florence and Rome.
Their rediscovery last fall during an ongoing archaeological
excavation in a field just below the Tuscan town of San Casciano dei Bagni made
headlines around the world, propelling the bronzes — via a stint in Italy’s
main restoration institute — to the rare honor of being exhibited at the
presidential palace.
“It’s an extraordinary discovery,” Luigi La Rocca, the
culture ministry official responsible for archaeology, fine arts, and
landscape, told reporters at the palace Thursday, praising the variety of the
bronzes, their quality, and their high degree of conservation.
The artifacts — mostly dating from the second century BC to
the first century — were votive offerings collected in the sacred pool of the
so-called Bagno Grande, or “large bath,” part of a sanctuary that was in use in
various forms for more than 700 years.
Lighting struck the building around the first century, and
after the Etruscan tradition of burying objects struck by lightning in a sacred
place, the statues and other artifacts were concealed under a layer of
terra-cotta tiles along with a bronze thunderbolt, a ritual called “fulgur
conditum”.
Successive votive offerings, mostly bronze coins, and plants,
were deposited until Christianity became the official religion of the Roman
Empire in the fourth century. Then, the sanctuary was dismantled and its
offerings were buried once again, which contributed to their remarkable
conservation.
The dig that uncovered them began in 2019, but it was only
in 2020 that the first artifacts — inscriptions, altars, and small bronzes —
began to emerge. Last year, the archaeologists dug farther down into the sacred
pool.
“We thought there could be something here, but nothing like
what we found,” Emanuele Mariotti, director of the excavation, said on a recent
hot afternoon as he surveyed the site. “It was like a time capsule waiting to
be opened.”
The finds offer insights into ancient medical practices. The
waters were considered curative by “Etruscans, Romans, Christians and Pagans,”
Mariotti said. “This was a place of healing, meeting of cultures and medical
knowledge.”
Many of the bronzes had inscriptions from the territory of
Perugia, about 45 miles northeast of San Casciano, a considerable distance to
travel more than 2,000 years ago. This shows “how complex and nuanced” cultural
interaction was at the time, said Jacopo Tabolli, scientific director of the
dig and co-curator of the Quirinal show.
“Gods changed, but the water remained the same,” he said.
Some of the bronzes are still being restored, but many made
it to the Quirinal for the exhibition. In one room, bronzes of arms, feet, ears
and other body parts are on display, reflecting the various ailments that were
treated at the thermal baths.
“These are unique,” Mariotti said, stopping in front of two
bronze plaques showing what he said was a “very accurate” depiction of internal
organs. Similar terra-cotta examples existed, he said, but bronze versions were
hitherto unknown.
Other statues represented gods and goddess, as well as men,
women and small children, wrapped in swaddling cloths. Some were sickly and in
need of healing. Others appeared to have benefited from the cures.
The thermal springs are still used today for their
therapeutic properties, both in the public baths near the archaeological site
and at a private resort.
For San Casciano dei Bagni, a picturesque hilltop town, the
ancient finds will hopefully bring new economic prospects, especially after the
opening of a new museum in the city center.
Earlier last week, at a property deed transfer in Rome
attended by various authorities, the culture ministry formally bought a palazzo
in San Casciano dei Bagni from local clerics to house the museum (list price 670,000
euros, or about $730,000) and Italy’s culture minister, Gennaro Sangiuliano,
pledged to contribute “additional resources.”
Massimo Osanna, director of Italy’s state museums, said
Thursday that he hoped one section of the museum would be ready next year. “I’m
an optimist,” he said.
“It’s going to be a tremendous opportunity,” said Agnese
Carletti, the town’s mayor. Following on from previous administrations,
Carletti’s council championed and funded the local archaeological excavations
that led to the finds, offering room and board to archaeology students
participating in the summer digs.
A new excavation begins this week, and Tabolli said it would
concentrate on expanding the archaeological site to better understand the
context around the sacred pool. “We’ve reconstructed the structure of the
sanctuary, but there is still much more to know about the overall site, which
must have been monumental,” he said.
Osanna said more surprises could be in store. “We don’t know
what else the sanctuary has to offer,” he said.
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