Julia
Herzig, a 22-year-old from Larchmont, New York, has “an obsession”. It’s with
taking a new kind of selfie — one that doesn’t exactly conform.
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In some of these
selfies, Herzig’s forehead bulges across half of the frame. Her eyes are half
disks, peering up at something beyond the camera. Her nose juts out. Her mouth
is invisible. These images are best when they have “ominous, creepy vibes,” she
said.
Herzig started
taking these pictures — called 0.5 selfies (pronounced “point five” selfies,
and not “half” selfies) — when she upgraded to an
iPhone 12 Pro last year and
discovered that its back camera had an ultra-wide-angle lens that could make
her and her friends look “distorted and crazy.”
But what seemed like
a joke was bigger than Herzig, a recent graduate of
Washington University in
St. Louis, thought. A few months ago, after spring break, she opened Instagram
to a feed full of 0.5 selfies.
“All of a sudden,
one day, everyone was taking 0.5 selfies,” she said.
Wherever Gen Z
gathers these days, a 0.5 selfie is almost bound to be taken, capturing the
moment with random flattery — or comical lack thereof. The 0.5 selfies are
showing up on Instagram, proliferating in group chats, becoming the talk of
parties and often being snapped to chronicle the minutiae of daily life.
Unlike a
traditional selfie, which people can endlessly prepare and pose for, the 0.5
selfie — so named because users tap 0.5x on a smartphone camera to toggle to
ultra-wide mode — has become popular because it is far from curated. Since the
ultra-wide-angle lens is built into the back cameras of phones, people can’t
watch themselves take a 0.5 selfie, creating random images that convey the
whimsy of distortion.
“You really don’t
know how it’s going to turn out, so you just have to trust the process and hope
something good comes out of it,” said Callie Booth, 19, from Rustburg,
Virginia, who added that a good 0.5 selfie was the “antithesis” of a good
front-facing one.
In their best 0.5
selfies, Booth said, she and her friends are blurry and straight-faced.
“It’s not the
traditional perfect picture,” she said. “It makes it funnier to look back on.”
The problem is that
taking a 0.5 selfie is hard. Because of the back camera, angling and physical maneuvering
are a must. If selfie-takers want to fit everybody into a frame, they have to
stretch their arms as far out and up as possible. If they want to maximize how
much a face distorts, they have to perch their phone perpendicular to their
forehead and right at their hairline.
On top of those
acrobatics, because the phone is flipped around, 0.5 selfie aficionados have to
press its volume button to snap the picture, taking care not to mistake it for
the power button. Sometimes 0.5 selfies with large groups require using a
self-timer as well. Nothing is visible until the selfie is taken, which is half
the fun.
“I just take it and
I don’t actually look at it until later, so it becomes more about capturing the
moment versus seeing what everything looks like,” said Soul Park, 21, of
Starkville, Mississippi.
Wide- and
ultra-wide-angle lenses aren’t new. First patented in 1862, the lenses are
often used to capture more of a scene with their wider field of vision,
particularly in architectural, landscape and street photography.
“It goes back as
far as photography has been a thing,” said Grant Willing, a photographer who
reviews cameras for the electronics superstore B&H Photo Video.
Selfies,
popularized by celebrities like Ellen DeGeneres,
Kim Kardashian and Paris
Hilton, are a more modern innovation (though even this is sometimes in
dispute). In 2013, Oxford Dictionaries added “selfie” to its online dictionary
and designated it the Word of the Year.
The 0.5 selfie was
birthed by the wide-angle lens’s convergence with the selfie, made possible
when ultra-wide-angle lenses were added to Apple’s iPhone 11 and Samsung’s
Galaxy S10 in 2019 and to newer models.
Because of the wide angle, subjects closer to a lens
seem larger, while those farther away seem smaller. That shift warps subjects
in a way that is welcome in, for example, architectural photography but
traditionally discouraged in portraiture.
“Wide angle for
portrait shoots was always really different because it just made it more
distorted,” said Alessandro Uribe-Rheinbolt, 23, a Colombian photographer based
in Detroit.
Uribe-Rheinbolt
said he had recently brought the wide angle from his portrait work — where
clients have asked for the look of a 0.5 selfie — to his personal life, using
it to capture his friends, his outfits and his daily routine.
“It does give it a
more casual look,” he said. “There’s a lot more creativity with the way you
angle and the way that you put it closer.”
An unedited 0.5
selfie is more organically playful than a front-facing selfie. Posting the
selfies on Instagram, where limbs are noodly or eyes are buggy, is meant to be
silly, making it seem like the photographers take themselves — and social media
— less seriously.
“Something about it
breaks the fourth wall because you’re acknowledging that you’re taking a
picture for the sake of taking a picture,” said Hannah Kaplon, 22, from
Sacramento, California. “It’s trying to make Instagram casual again.”
Kaplon, a recent
graduate of
Duke University, said she now took a 0.5 selfie for most occasions:
a late night studying in the library, a dinner with 11 guests, a basketball
game watch party.
“Pretty soon,
wherever my friends and I were, I was like, ‘We have to take a 0.5 selfie,’”
she said. “The trend has taken on a life of its own.”
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