MARSEILLE, France — A festival dedicated to
James Joyce’s novel “Ulysses” is touring 18 European cities, with artists and
writers linking the work to contemporary issues such as immigration.
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“Ulysses”, published in 1922, counts among the 20th
century’s key novels, and its centenary has already sparked much celebration in
Joyce’s native Ireland.
But Liam Browne, co-artistic curator of “Ulysses
European Odyssey”, said the tour is to go beyond the kind of literary fandom
seen at home.
“What interested us was Joyce as a European figure,
rather than an Irish figure,” he told AFP on the margins of the tour event in
Marseille on the southern French coast.
“In his imagination he was engaging with Dublin to
write his novels but actually his day-to-day existence was in these European
cities,” Browne said.
The crude language and sexual content in “Ulysses”
meant there was no chance of it getting published in conservative 1920s Ireland
or anywhere else in the English-speaking world.
It became the target of an obscenity trial in the
US, and was banned in Britain for more than a decade.
In the end, it was published in Paris by American
poet Sylvia Plath, owner of the “Shakespeare and Company” bookshop which is
still a gathering point for aspiring writers today.
The novel tells the story of a single day in the
life of Dubliner Leopold Bloom, while Joyce links the day’s events to Homer’s
“Odyssey”. Scholars are still busy tracing the subtle connections.
Difficult to read
The book has a reputation
for being difficult to understand, with the
New York Times predicting in its
1922 review that “not ten men or women out of a hundred can read ‘Ulysses’
through”.
Fans the world over still celebrate “Bloomsday” in
honor of Joyce every year on June 16.
One of the aims of the European tour — involving
actors, directors, writers, musicians, photographers, and even food experts —
is to connect the novel with today’s burning topics.
“We wanted a multi-art response, and we wanted the
art engaging with society and social issues,” Browne said. “Nationalism, exile,
sexuality and the place of women in society.”
Joyce, who grew up in Dublin, later lived in Paris,
Trieste in Italy, and Zurich in Switzerland, where he died.
“We believed that the book would not have become
what it was without Joyce’s exile in Europe,” said co-artistic curator Sean
Doran. “We are fascinated about this concept about home,” he said.
Marseille, he said, was “perfect to explore that
subject, people here are coming from everywhere in the Mediterranean”.
An Anglo-Irish artist duo based in Marseille, Myles
Quin and Gethan Dick, picked immigration and exile for their performance piece
at the weekend, featuring recent arrivals from Afghanistan, Sudan, Algeria,
Guinea, and Syria in their depiction of the trauma of attempting to cross the
Mediterranean in search for a better life.
“It seemed impossible to talk about them without
making them actors in the performance,” said Sophie Cattani, co-founder of
local arts collective “ildi ! eldi”.
Other venues for the tour, which is sponsored by the
EU, include Athens, Budapest, Berlin, and Istanbul.
Dublin will be its penultimate stop in 2024. The
tour ends in Derry, Northern Ireland, with female artists from the other venues
joining in the festival’s finale.
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